Senza titolo (untitled) (1969)
This painting is a unicum in the production of Brajo Fuso; it might represent a point of contact with Romeo Mancini, author of the Cattedrali(Cathedrals). The structures recall mechanical elements, while signs recall Capogrossi. After all, the artwork dates back to a historical period when robotics begins entering people’s lives. Nevertheless, it preserves some typical elements of the Perugian artist, for example, the colour left to drip onto canvas in a sort of dripping technique.